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November- December, 2023 at the corner of Case and Edgerton on the East Side of Saint Paul, MN
@ce.studios.artboard
C|E Studios Artboard Home Page

Stephan Kistler ArtBoard copy.jpg

Case Edgerton Studios
is proud to present
STILL LIFE IN PROGRESS
by local photographer and curator
Stephan F. Kistler

Stephan F. Kistler is a freelance photographer who lives and works in St. Paul. A significant focus of his recent work has been on environmental portraits in urban settings, seeking to tell stories about people and their neighborhoods that might go untold without the unique connection that a camera lens can trigger. His aim is to create a point of view that helps others see their surroundings, community, and themselves in a new and enriched way –and, where possible, gain a fresh perspective on key issues our neighborhoods, society and environment face.

Kistler is the co-founder, curator and ad-hoc manager of ArT @ 967 Payne, a collaborative and inclusive working studio and gallery space located one block from The Board at CE Studios. ArT @ 967 Payne serves as a local arts center for the diverse community on the East Side of Saint Paul, is home to a communal group of working artists, and hosts gallery exhibitions that attract artists and art lovers from the larger Twin Cities area. Stephan is also the co-founder and artistic lead of Solidarity Street Gallery, an annual, community-centered art and cultural festival along Payne Avenue in St. Paul. The event brings together neighbors and visitors with artists, performers, community organizations, civic leaders, and local businesses for important exchanges about justice, equity, and resilience – and to celebrate all the diverse groups who call the East Side of St. Paul their home.

 

With a background in science and engineering, and a long career in research & development in industry, Stephan has not had a formal education in photography. However, he has had a passion for photography and the arts from a young age and, in more recent years, has been able to draw guidance, insights and challenges for a new trajectory of learning and discovery from a number of outstanding photographers through various workshops. He is currently taking a class in photography at the Fine Arts Dept of the Univ of MN, which gave inspiration to the still life on display on the Board at CE Studios.

Photographed inside of C|E Studios, “Still Life in Progress”, provides a glimpse of the artistic spirit that is filling this fabulous new art venue on the East Side of Saint Paul, using objects and ephemera proprietors Jessie Fisher and Scott Seebart are gathering for their current bodies of work. Piquing the curiosity of neighbors and passersby, the image is intended as a 'work in progress,' consistent with the construction that is still taking place inside the building while capturing the colors of the season – a reflection on the blessings of Thanksgiving - bringing cheer and warmth to the neighborhood as we transition from fall to winter.

Exhibition Statement

The painter Scott Seebart and I have been traveling to Venice, Florence and Rome and surrounding cities for over 20 years and for the past 10 years have spent almost every summer and many Winter breaks working from the ornate fusion of visual archetype and artistic innovation that is the core of the Italian Renaissance. 2 summers ago, rather than staying in the cacophonous center of Florence or Rome, we rented a farmhouse on a mountain just outside of Citta di Castello located in the center of a collection of works, in situ, of Piero della Francesco which became the destination for day-trips, breaking the solitude of the ruins of the medieval town of Pietrolo where our farmhouse stood, isolated, the only renovated structure on a wild mountain that is home to screaming chiungale and an abundance of tadpoles as the trickle of fresh mountain water from our well pooled into a river that eventually joined the Tiber. Rather than the picturesque patchwork of distant multi-colored fields that decorate the mountains moving away in a blue haze of atmospheric perspective, it was the house itself that became the landscape that I studied, nestled inside of a forest alcove that hid the huge sky, the gnarled tree trunks and shifting beams of light, the walkways, the kitchen, the fireplace and the garden became a collection of shifting planes that confused scale and responded to composition through the touch of the painters hand and the direct physicality of an image in flux. At the same time, the works of Piero were a constant reminder of an image that serves geometry, slowly building a network of carefully balanced relationships. Creating an indirect image that hides its process. I developed a series of portraits that sought to slow the viewer down and to erase the hierarchy of mark-making, leaving a from that creates its own conventions of light.

 

This summer was especially influential for my work, as I transitioned from the use of the Italian facade as a lexicon that I understood only though a series of academic studies to the integration of its influence with my own use of allegory and form. I am honored to be included on this exhibition with a group of such amazing and serious painters who I have looked to as examples of excellence, invention, rigor and a subversive commitment to the act of looking.

 

July 4th, 2012

Jessie Fisher

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